Archive for February, 2008

Nikon D3

Thursday, February 21st, 2008

Nikon Europe announced the revolutionary Nikon D3 Professional Digital SLR that defines a new benchmark in professional photography. “Nikon has eclipsed the competition with the Nikon D3, a cutting edge camera that will change how professional photographers take pictures,” said Robert Cristina, Manager Professional Products & IPS, Nikon Europe BV. “The incredible speed, resolution and flexibility of the Nikon D3 digital SLR camera will enable photographers to capture images under conditions previously thought impossible.” The Nikon D3 single lens reflex, the result of years of development and feedback from professional photographers, combines many innovative Nikon technologies.

00299_nikon-d3.jpg

The new Nikon D3 FX format CMOS imaging sensor was designed from the ground up to offer exceptional light transmission properties, so photographers can acquire outstanding image quality even in low light conditions. With a high signal to noise ratio, a pixel pitch 15% larger than competitive cameras, gapless surface micro-lenses, high-quality images under very low light levels are now possible. The sensor enables an ISO settings range from 200-6400, expandable up to the equivalent of 25,600 or down to 100.

Nikon D3 D-SLR - High Definition and Live view
Everything about the Nikon D3 is high definition. From the HDMI (High Definition Multimedia Interface) port for output to the latest HD displays to the 3-inch VGA LCD screen with 170-degree viewing angle, images can be played back at very high levels of detail. The new VGA screen also comes into its own when using the new Live View function premiered in the Nikon D3 and D300. Unlike other live view technologies, autofocus is possible in all Nikon Live View modes.

00299_nikon-d3-dslr.jpg

Nikon D3 SLR - Storage and Card slots
The Nikon D3 is the world’s first D-SLR to offer dual CompactFlash card slots for outstanding storage flexibility. A photographer can shoot images to each card one after the other, or simultaneously, as back up. When shooting combined NEF + JPEG files, the NEF image can be written to one card and the JPEG version to the other. Image files can also be selected and copied from one card to the other after shooting.

00299_nikon-d3-camera.jpg

Nikkor lenses - Telephoto and Zoom
Five new NIKKOR lenses are also launched today. They include a ground-breaking extreme wide-angle zoom lens, the AF-S 14-24mm f/2.8G ED and a slim line standard zoom, the AF-S 24-70mm f/2.8G ED. Nikon has also launched three all-new super telephoto lenses with VR (Vibration Reduction), the AF-S 400mm f/2.8G ED VR, AF-S 500mm f/4G ED VR and AF-S 600mm f/4G ED VR.

00299_d3-nikon.jpg

Canon A470

Thursday, February 21st, 2008

Canon announces the launch of a new A-series compact camera with powerful new features that say bye-bye to blur and offer enhanced point-and-shoot capability. The Canon PowerShot A470 camera includes brand-new blur-reducing Motion Detection Technology, plus new technology evolutions. Canon’s Face Detection Technology now features Face Detection White Balance, and Red-Eye Correction, can now remove red-eye automatically as the user shoots. The Canon A470 camera also has a Face Select & Track function. The 7.1 Megapixel Canon PowerShot A470 offers 3.4x optical zoom, a 2.5-inch LCD monitor in four colour variations : Red, Blue, Green, Silver.

00365_canon-a470.jpg

Canon PowerShot A470 digital camera
“The emphasis on the new Canon PowerShot A470 digital compact is on taking the hassle out of everyday image-making, while providing Canon’s hallmark design and manufacturing excellence. Canon leads the field in image quality because it relies on intelligent solutions, not quick fixes,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “The newly released Canon digital camera incorporates class-leading features to combat common problems like camera shake and subject blur, without sacrificing overall image quality.”

Canon PowerShot A470
• 7.1 Megapixels
• 3.4x optical zoom
• 2.5” LCD monitor
• Available in four colours

Canon A470 - Motion Detection Technology
With new Motion Detection Technology, Canon provides a comprehensive and intelligent solution to blur. Activated in High ISO Auto mode, Motion Detection Technology takes information from multiple sources - Face Detection Technology, scene brightness and subject movement. The Canon A470 then calculates the minimum boost in ISO levels (between ISO 80-800) necessary to compensate for that motion. The wide range of inputs and precision of the Motion Detection algorithms ensure that Canon’s system avoids trading reduced blur for an unnecessary increase in image noise.

Canon A470 - Face Select & Track
Face Detection White Balance and Face Select & Track are included in the Canon PowerShot A470 digital camera, enhancing portraits and people shots taken in a wide range of situations. Face Detection White Balance sets the white balance for the face detection frame, in addition to the focus, exposure and flash set by previous versions of Face Detection. The result is portraits with natural skin tones, in all environments whether lit by artificial, natural, or mixed light sources. Face Select & Track follows a user-selected face around the frame, ensuring that the best results are achieved at the moment the photographer shoots.

00365_powershot-a470.jpg

Canon PowerShot A470 - Red-Eye removal
Red-Eye Correction is enhanced for 2008. In addition to Red-Eye Correction in playback, the Canon PowerShot A470 now features automatic Red-Eye Correction in shooting. Auto Red-Eye Correction detects and removes red-eye as the user shoots, for natural, red-eye free images.

Canon PowerShot A470 camera - Auto Focus
New AF Point Zoom allows the photographer to magnify the AF frame when the shutter button is pressed half way, so that facial expressions can be checked before shooting. AF performance in low light has been significantly improved to achieve focus in scenes at around one stop darker, so that users can now take excellent shots in low-light conditions where they would have been unobtainable before.

00365_canon-powershot-a470.jpg

Canon A580

Thursday, February 21st, 2008

Canon announces the launch of a new A-series compact camera with powerful new features that say bye-bye to blur and offer enhanced point-and-shoot capability. The Canon PowerShot A580 camera includes brand-new blur-reducing Motion Detection Technology, plus new technology evolutions. Canon’s Face Detection Technology now features Face Detection White Balance, and Red-Eye Correction, can now remove red-eye automatically as the user shoots. The Canon A580 camera also has a Face Select & Track function. The 8.0 Megapixel Canon PowerShot A580 digital camera offers 4x optical zoom, a 2.5-inch LCD monitor and an optical viewfinder, plus new Easy mode.

00366_canon-a580.jpg

Canon PowerShot A580 digital camera
“The emphasis on the new Canon PowerShot A580 digital compact is on taking the hassle out of everyday image-making, while providing Canon’s hallmark design and manufacturing excellence. Canon leads the field in image quality because it relies on intelligent solutions, not quick fixes,” said Mogens Jensen, Head of Canon Consumer Imaging Europe. “The newly released Canon digital camera incorporates class-leading features to combat common problems like camera shake and subject blur, without sacrificing overall image quality.”

Canon PowerShot A580
• 8.0 Megapixels
• 4x optical zoom
• New Easy mode
• 2.5” LCD monitor
• Optical viewfinder

00366_powershot-a580.jpg

Canon A580 - Ultimate blur solution
With new Motion Detection Technology, Canon provides a comprehensive and intelligent solution to blur. Activated in High ISO Auto mode, Motion Detection Technology takes information from multiple sources - Face Detection Technology, scene brightness and subject movement. The Canon A580 then calculates the minimum boost in ISO levels (between ISO 80-800) necessary to compensate for that motion. The wide range of inputs and precision of the Motion Detection algorithms ensure that Canon’s system avoids trading reduced blur for an unnecessary increase in image noise.

Canon A580 - Face Detection Technology
Face Detection White Balance and Face Select & Track are included in the Canon PowerShot A580 digital camera, enhancing portraits and people shots taken in a wide range of situations. Face Detection White Balance sets the white balance for the face detection frame, in addition to the focus, exposure and flash set by previous versions of Face Detection. The result is portraits with natural skin tones, in all environments whether lit by artificial, natural, or mixed light sources. Face Select & Track follows a user-selected face around the frame, ensuring that the best results are achieved at the moment the photographer shoots.

00366_a580.jpg

Canon PowerShot A580 - Red-Eye Correction
Red-Eye Correction is enhanced for 2008. In addition to Red-Eye Correction in playback, the Canon PowerShot A580 now features automatic Red-Eye Correction in shooting. Auto Red-Eye Correction detects and removes red-eye as the user shoots, for natural, red-eye free images.

Canon PowerShot A580 camera - Auto Focus
New AF Point Zoom allows the photographer to magnify the AF frame when the shutter button is pressed half way, so that facial expressions can be checked before shooting. AF performance in low light has been significantly improved to achieve focus in scenes at around one stop darker, so that users can now take excellent shots in low-light conditions where they would have been unobtainable before.

00366_canon-powershot-a580.jpg

Nikon Coolpix S550

Thursday, February 21st, 2008

Nikon Coolpix S550 has just been introduced, a stylish new camera that elegantly packs high performance and advanced functions into the smallest body in its class. Built on a custom application of Nikon’s innovative Expeed digital image processing concept and incorporating the precision optics of a Nikkor lens, the Nikon Coolpix S550 brings new ease and fun to capturing smiling faces in the full beauty of special moments. The Nikon S550 teams 10 megapixels of resolution with quick response, and maintains image quality when taking advantage of sensitivity settings as high as ISO 2000. Enhancing compositional freedom is a 5x Zoom-Nikkor lens with the range to ably cover scenes from buildings and group pictures to close-up portraits.

00384_nikon-coolpix-s550.jpg

Nikon Coolpix S550 - Smile mode
Unique new functions for the Nikon S550 help make it easier to shoot beautiful portraits and faithfully record precious smiles when they appear. Smile mode displays a gauge that indicates when the selected subject smiles, enabling the user to capture just the right moment. Blink warning displays a message when it detects that a subject has blinked, offers quick magnified visual confirmation, and allows the shot to be retaken immediately. The Nikon Coolpix S550 will be available in a choice of Titanium Silver, Urban Black, Blue, or Purple body colors.

Nikon Coolpix S550 - VR image stabilization
Compensating for the effects of camera shake to realize sharper results, electronic VR (Vibration Reduction) image stabilization frees you to enjoy capturing special moments without worrying about slight hand movements, particularly in lower light conditions.

00384_coolpix-s550.jpg

Nikon S550 - Automatic sensitivity control
Extended light sensitivity range with manual settings up to ISO 2000 makes it easier to take great-looking pictures in lower lighting conditions, or to capture moving subjects with outstanding clarity. Automatic sensitivity control is also available, freeing you to concentrate on the shot while the camera selects the optimal setting across a range between ISO 64 and ISO 800. And High-Sensitivity mode minimizes blur by automatically selecting optimal light sensitivity.

Nikon Coolpix S550 - High quality LCD monitor
The Nikon S550 is equipped with a quality 2.5-inch LCD monitor that features 230k-dots of high resolution, a wide 170-degree horizontal and vertical viewing angle, anti-reflection coating for better display in bright situations, and an acrylic panel that prevents scratches and fingerprints. Improved shooting displays with revised icons and information feedback help make framing and shooting easier.

00384_nikon-s550.jpg

Nikon S550 - Features
• Improved Face-priority AF
• In-Camera Red-Eye Fix
• Nikon D-Lighting
• Active Zoom allows smoother zooming for close-ups
• Macro shooting from as close as 10 cm (4 in.)
• Three movie modes with sound, plus time-lapse movie mode
• Time zone function for easy setting of multiple locations
• SDHC card compatibility
• Approx. 50 MB of internal memory
• USB connectivity
• PictBridge support

Canon A720 IS

Wednesday, February 20th, 2008

The Canon Powershot A720 IS came onto the scene late this summer to replace its popular predecessor, the A710 IS. This time around, the A720 IS still sports a 6x optical zoom, an increase in resolution ( to 8 megapixels), similar 2.5 inch LCD, and new imaging processor, the DIGIC III. Also like its predecessor, the A720 IS is powered by AA batteries - the signature of the Canon Powershot A line.

12467.jpg

NUTS & BOLTS

Sensor

The 1/2.5″ CCD captures an effective 8 megapixels. At full resolution, the image size is 3264 x 2448 pixels. At full resolution and Superfine compression, you can fit approximately 139 images on a 512MB SD memory card.

Viewfinder/LCD

The 2.5 inch LCD has 115K pixels of resolution. It would have been nicer to see more resolution, but I assume that Canon made this choice to keep the cost down. Besides that, colors are accurate, it refreshes quickly enough to provide smooth viewing, and the preview gains up and down well, depending on ambient lighting conditions

12469.jpg

There is also an optical viewfinder that you can use, if you prefer, but its coverage area is not great, especially in close-up shots. If you tend to use the optical viewfinder a lot, spend some time practicing with it to get a feel for the coverage area.

Lens/Zoom/Focus

The lens on the A720 IS extends from the camera body when powered on. Once powered off, the lens retracts and the built-in lens cover extends to protect the front lens element. The lens has a 6x optical zoom (35-210mm in 35mm equivalent), with a maximum aperture of f2.8 at wide angle and f4.8 at telephoto.

12475.jpg

As this camera is an “IS” model, it has Canon’s optical image stabilization system. You can disable IS, use continuous IS, have IS only enabled at the time you shoot, or use “Panning” IS. Each mode has its strengths - continuous IS can help with previewing a shot, but is not as effective as shoot-only IS, which also uses less battery power. If you’re trying to shoot a moving subject while you pan, like in a race of some sort, the panning IS mode stabilizes vertical movement, but allows horizontal movement.

Lens performance was good overall. There was some fairly noticeable barrel distortion at wide angle, but pincushion distortion was minimal. Details across the frame were excellent.

The A720 uses a TTL autofocus system and can focus on subjects as close as 1.8 feet in normal mode and 0.4 inches in macro mode, at wide angle. If you use manual focus, you can focus between 0.4 inches and infinity at wide angle and 1.8 feet to infinity in telephoto. If you use the Kids & Pets mode, the focus range is between 3.3 feet and infinity.

There are a few options as far as focus methods. You can turn on Face Detect if you shoot a lot of portraits, the AiAF multiple area (9 point) system, center area (you can adjust the size of the frame), or Flexizone.

Flash

The built-in flash can bet set to auto, always on (fill), and disabled. In auto and fill modes, red-eye reduction can also be enabled. The A720 also has a few other features that may come in handy - there is a flash exposure lock (FE lock), ability for slow synchro, ability to change flash method between first-curtain and second-curtain, ability to adjust flash output, and Safety FE that adjusts shutter or aperture settings depending on flash output.

The specifications for the camera state that the range, with auto ISO, at wide angle is between 1 feet and 11 feet. At telephoto, this range is 1.8 to 8.2 feet. Flash exposure can be adjusted plus or minus 2 stops in 1/3 stop increments.

Memory Media

The A720 IS can accept SD, SDHC, MMC and MMCplus memory cards.

Image/Movie File Format(s)

Images are saved as JPEG only. There are three compression levels: Superfine, Fine, and Normal.

Movies are captured as AVI files, with monaural sound. Sound memos are stored as WAVE files.

Connectivity

The camera has a USB2.0 Hi-speed connection through a mini-B jack to transfer images to your computer. There is also an AV output so you can display your images on a TV. There is a DC in jack if you get an optional power adapter.

12471.jpg

Power

The A720 IS is powered by 2 AA batteries. Using alkaline batteries, with the LCD monitor on, you can expect up to 140 images. Using NiMH rechargeables, this number gets up to 400. Getting up to 400 would be pretty impressive in real life, but based on my experience, you could get at least 300 shots with high capacity NiMH batteries.

12477.jpg

EXPOSURE

The A720 IS has a full complement of shooting modes, from fully automatic to fully manual, and everything in between. Auto mode does everything for you and limits the options that you have for changing exposure options For example, you can either set ISO to auto or “hi”. You can also adjust flash modes, timer modes, capture resolution, and focus mode.

Once you’re ready to leave auto mode and experiment more, we get into program auto, which gives you more control over white balance, ISO, metering modes, and access to the My Colors menu. Next comes aperture priority mode (Av on the dial) where you select the aperture and the camera sets the correct shutter speed. Shutter priority (Tv on the dial) is the opposite of this, where you choose the shutter speed (between 15 seconds and 1/2000 of a second), while the camera sets the aperture to the right setting. Finally, manual mode (M on the dial) lets you set the shutter speed and the aperture until you get the shot that you want.

Moving on, there are a few scene modes available directly on the mode dial: portrait, landscape, night snapshot, kids & pets, and party. For access to the rest of the scene modes, just turn the dial to the SCN position. There, you can access night scene, foliage, snow, beach, fireworks, aquarium, and underwater.

Also available on the mode dial is Canon’s stitch assist mode that helps you take impressive panorama shots, and the movie mode.

Movie Mode

Movies can be captured at resolutions up to 640×480 and at a framerate of 30fps. There is a 4GB maximum on file size or once you reach one hour. Optical zoom is not available during movie capture since you would hear the zoom motor on the clip. However, image stabilization is available.

Metering

For metering options, you can use evaluative (evaluates the entire frame), center-weighted metering, and spot metering. If faces are detected by the camera in face detection mode, metering also works to expose the faces well.

White Balance

For white balance, you can leave the camera set to auto, or you can choose from Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, or Underwater. For best results in mixed lighting, you can set a custom white balance very easily.

Sensitivity

The A720 IS has different ISO settings available in different modes. For example, in Auto mode, you can only choose between auto and a high mode. Once you switch to program auto or the other manual exposure modes, you can choose auto, or from ISO 80, 100, 200, 400, 1600, and High ISO Auto.

In-Camera Image Adjustment

Besides changing the exposure options, you can adjust image capture using the My Colors mode. In this mode, you can set the color mode to vivid, sepia, B&W, and neutral. You can also set a “custom color” and adjust the sharpness, saturation and contrast.

During image playback, you can apply red-eye correction, resize, and add a sound memo.

CONTROLS, DESIGN, ENGINEERING, & ERGONOMICS

The design of the A720 IS is no real surprise - it essentially looks like all of its predecessors. The design is compact and has a nice pronounced handgrip that you’ll find on the entire line of Canon A series cameras. While the camera may be a stretch for some pockets, it’s definitely easy to throw in a backpack or purse.

12465.jpg

The construction of the camera is mostly plastic and not terribly rugged. The camera doesn’t necessarily feel cheap, but it certainly won’t take too many drops without showing some damage. The controls, however, do feel quite solid. The mode dial moves well and clicks assuredly into each slot on the dial. The other buttons and switches are solid as well. The controls are also organized well, with shutter button and the zoom control right at your finger tip.

12473.jpg

Included

In the box, you’ll find 2 AA alkaline batteries, 16MB SD card, wrist strap, USB cable, AV cable, CD-ROM of software and printed documentation, including the manual.

Optional

There is a removable ring around the lens that lets you mount a wide angle converter lens and tele converter lens, available from Canon.

PERFORMANCE

Using the Canon A720 is very similar to the rest of the A series cameras, if you’ve used them before. They’re very straightforward and capable cameras. Having the 6x optical zoom in this class of camera is also a very attractive feature.

I was very pleased with the camera except for one fairly major thing - the flash cycle time. I typically shoot with the flash disabled, but occasionally will turn on the fill flash. I would take my shot with flash and then try to return to a disabled flash. While the flash was charging, however, I was unable to make any changes since the camera became unresponsive, with the screen blanking out completely. The flash charge time would take 8-10 seconds.

Other than the flash, usability was good. The mode dial provides easy access to the various shooting modes, and button usage is intuitive.

Canon EOS 5D

Tuesday, February 19th, 2008

frontview11.jpg

Canon EOS 5D SLR review : Since Kodak is no longer producing Pro SLRs, Canon is the only manufacturer with a digital reflex camera (D-SLR) featuring a full-sized image sensor. Until shortly the EOS-1Ds Mark II was the only camera containing such a sensor. A beautifully professional D-SLR camera but an enormous investment and possibly too big to handle for a large group of consumers. Moreover the demand for a compacter and lighter version seemed to grow and presently there was gab in between the EOS 20D and the professional Canon D-SLRs. Both gabs are now solved with the Canon EOS 5D. The Canon 5D is a professional, quite compact D-SLR camera with impressive specifications.

Canon EOS 5D SLR - Large image sensor
The main sales argument for the Canon EOS 5D is of course the large sensor. It’s a full-size image sensor meaning that the dimensions equal the 35mm format. And this means you don’t suffer from focal length multiplier anymore, and this is especially ideal for wide angle lovers. Producing a full-size sensor is extremely expensive, more so because there is a lot of remainder of the wafers that the sensors are made from. You’d expect Canon to use the same sensor they’ve used for the EOS 1Ds Mark II, because the higher the production numbers, the lower the price will be per unit. But Canon decided to put an entirely new 12 Megapixel CMOS into the EOS 5D. It has a pixel pitch of 0.082 mm which equals the pixel pitch of speed monster; Eos-1D Mark II N. It is therefore well possible that the EOS 5D features a larger type than the one used in the EOS-1D Mark II N. Some image characteristics seem to prove this thought.
canon_eos_5d_002b.jpg
Canon 5D SLR camera - DIGIC II processor
A 12 Megapixel sensor delivers large files. To enable speedy processing the DIGIC II processor is used; the strong Canon trump. The DIGIC 2 processor is able to process a large amount of data in a short time. In combination with the huge internal memory it’s possible to write many large sized files very quickly onto the memory card. The maximum image speed is three frames per second. That is one image less than the EOS 1Ds Mark II can handle, that is also capable of producing larger files because of its 16 Megapixels. It seems that Canon sort of went a bit skimpy on speed with the 5D D-SLR otherwise this camera might become a too big competitor for the Canon 1Ds Mark II. The DIGIC II processor also places the images extremely fast into the buffer and it knows how to empty the buffer quickly too. On paper 60 JPEG images will fit in the buffer or 20 RAW images. The amount however depends on the sensitivity used; the higher the sensitivity the smaller the buffer. Nevertheless; the amount of 60 JPEG images fitting in the buffer is enormous! Even the EOS-1D Mark II N stores fewer images. These staggering numbers make the Canon EOS 5D very suitable for the photo journalist who has to do reportages.

Canon EOS 5D - Built-in flash and viewfinder
Not only does the camera perform professionally, the camera itself is also of a high quality. The Canon EOS 5D is lacking the finishing touch of the EOS 1D line, but the 5D can still stand a mild rain shower. The resemblance with the EOS 20D is striking. Canon wants to make clear that the EOS 5D belongs to the Canon 1D series. The built-in flash is sacrificed for the sake of the enormous viewfinder. And I don’t think there will be many photographers who will miss a flash on a camera like the EOS 5D. Fortunately it also sunk in with Canon that photographers are very happy to have a large size monitor to be able to judge the images correctly and easily. The Canon EOS 5D features a monitor with a diameter of 2.5-inches.
01010099am.jpg
Canon 5D digital reflex camera - AA size batteries
A very smart move of Canon is the fact that the renown BP-511 battery is also used on the EOS 5D. It’s already being used often in Canon models, so it shouldn’t be too hard to find an extra (spare) set of batteries for a reasonable price. A second battery can be placed in the optional grip or you can choose for six AA size batteries. The grip is one of many accessories that can be used on the Canon 5D. Besides that the photographer has a vast choice from lenses, only the EF-S lenses don’t go together with the EOS 5D. At the same time when the Canon EOS 5D was introduced, Canon also introduced a new lens in the f/4.0 series; the Canon EF 24-105 f/4 L IS USM lens. Especially on the 5D it offers an outstanding range and thanks to the image stabilisation, you can shoot holding the camera in your hand, even in difficult light circumstances.

Canon EOS 5D reflex camera review
It seems beforehand that the EOS 5D will become a gigantic hit. It meets the demand for a compacter professional camera; one that can fill up the gap between the EOS 20D and the 1D Mark II N. The grand surprise is that it turned out to be a full size model. Canon lent us the Canon EOS 5D with the EF 24-105 f/4 L IS USM for a short period of time. The results of our test can be read in the Canon EOS 5D digital camera review.

DigiCam updates.

Monday, February 18th, 2008

00298_nikon-d300-dslr.jpg

Nikon posts new D300 firmware version

Nikon has released firmware version 1.02 for its D300 digital SLR. Per the announcement, the latest version corrects “an issue that, in rare cases, caused vertical bands (lines) to appear in images captured at shutter speeds slower than 8s.”

news_2869_41463.jpg

New wide-angle, telephoto four-thirds system lenses announced

Speaking of Sigma, the company is now providing those of you with four-thirds format DSLRs (including popular models from Olympus and Panasonic) with another option for extreme wide-angle glass. The Sigma 10-20mm f/4-5.6 EX DC HSM, currently available in other standard mounts, provides a sufficiently wide (94.5 degrees) angle of view on four-thirds cameras.

14678.jpg

With an hyper-sonic motor (HSM internal focusing system, the new lens, which provides an equivalent range of 20-40mm, promises fast, near-silent focusing, with a minimum focusing distance of just under 10 inches at all focal lengths.

At the other end of the range, the 70-200mm f/2.8 II EX DG HSM functions like a 140-400mm long telephoto unit on a four-thirds camera. Designed with multiple SLD and ELD lens elements to correct for optical faults, the 70-200mm’s glass is also coated to reduce flare and ghosting.

Incorporating internal focusing and zooming systems, the external length of the lens does not change when the focal length or focus is adjusted. As with the 10-20mm, the new telephoto model uses an HSM for quiet, quick auto-focus performance.

Both lenses should be available in April. No word yet on US street pricing.

Free Sony cameras for EOS passengers!

Friday, February 15th, 2008

sony_logo.jpg

Tickets priced under $4,500 and valid for travel through May 31 can earn customers 15,000 extra Club 48 bonus points or a Sony Cyber-shot digital camera.

Flights over $4,500 will earn loyalty program members 30,000 Club 48 points or a Sony Handycam digital camcorder.

The promotion is valid for flights across all destinations in the Eos network such as the new service from Newark to London Stansted.

sony_hdrcx6-thumb.jpg

Olympus E-430 rumors

Thursday, February 14th, 2008

olympus-e-430.jpg

Looks like word on the street has it that the Olympus E-330 DSLR will get a replacement in the form of the E-430, if a post on Photo-Forum.net is to be believed. The E-430 is tipped to come with a 12-megapixel sensor, a live view, flip-out 2.5″ LCD display, a wired remote option, a higher continuous shooting rate and a larger raw buffer. What is most convincing would be the image posted that looks real, but until Olympus makes an official announcement, this is relegated to the rumor mill.